undertheinfluence.me.uk Report : Visit Site


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    The main IP address: 54.86.146.202,Your server United States,Ashburn ISP:Amazon Technologies Inc.  TLD:uk CountryCode:US

    The description :under the influence mummy... where does music come from? latest tags why donkey? legality molly ringwald "except sometimes" posted october 11th, 2013 by kevster in 2013 jazz standards vocal well, of c...

    This report updates in 05-Dec-2018

Created Date:28-Dec-2006
Changed Date:21-Dec-2016

Technical data of the undertheinfluence.me.uk


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Latitude: 39.043720245361
Longitude: -77.487487792969
Country: United States (US)
City: Ashburn
Region: Virginia
ISP: Amazon Technologies Inc.

HTTP Header Analysis


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Content-Encoding:gzip
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Date:Wed, 05 Dec 2018 06:04:28 GMT
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under the influence mummy... where does music come from? latest tags why donkey? legality molly ringwald "except sometimes" posted october 11th, 2013 by kevster in 2013 jazz standards vocal well, of course molly ringwald was going to sing "don't you (forget about me)" (featured here) on her 2013 singing debut except sometimes -- it provides the hook to draw the curious into the fold, to bring in listeners who may otherwise have never paid attention to another album of an actor singing standards. and, in most regards, except sometimes is indeed another album of actors singing standards, distinguished by a more-adventurous-than-usual selection of songs (ringwald has good taste and an aversion to shopworn warhorses) and a nicely intimate vibe, suggesting a comfortable, brightly lit nightclub where smoking was prohibited long, long ago. if ringwald wasn't well-known, odds are except sometimes would never have shown up on a major label, but that's no reason to hate it: it's too cheerful and slight to inspire hate. add new comment kate bush "50 words for snow" posted october 3rd, 2013 by kevster in 2011 alternative art-rock contemporary singer-songwriter 50 words for snow is all new, her first such venture since 2005's aerial. the are only seven songs here, but the album clocks in at an hour. despite the length of the songs, and perhaps because of them, it is easily the most spacious, sparsely recorded offering in her catalogue. its most prominent sounds are bush's voice, her acoustic piano, and steve gadd's gorgeous drumming -- though other instruments appear (as do some minimal classical orchestrations). with songs centred on winter, 50 words for snow engages the natural world and myth -- both eastern and western -- and fantasy. it is abstract, without being the least bit difficult to embrace. it commences with "snowflake" (featured here), with lead vocals handled by her son bertie. bush's piano, crystalline and shimmering in the lower middle register, establishes a harmonic pattern to carry the narrative: the journey of a snowflake from the heavens to a single human being's hand, and in its refrain (sung by bush), the equal anticipation of the receiver. 50 words for snow is such a strange pop record, it's all but impossible to find peers. while it shares sheer ambition with scott walker's "the drift" and pj harvey's "let england shake", it sounds like neither; bush's album is equally startling because its will toward the mysterious and elliptical is balanced by its beguiling accessibility. add new comment the buggles "the age of plastic" posted october 3rd, 2013 by kevster in 1979 new wave pop/rock synth the fun, quirky single "video killed the radio star" (featured here) garnered the buggles international attention in 1980, but it was just one of the age of plastic's fascinating, futuristic visions. from the title track's opening strains, trevor horn and geoff downes transform your living room into a world of jetson-like proportions. it's a world, though, where technology is seen for what it is -- full of both promise and frightening implications. on "i love you miss robot," a metaphorical love affair with a robot explores modern man's relationship to, and dependence on, technology. "kid dynamo"'s spirited tempo, biting lyrics, and menacing vocal track questions the loss of imagination plaguing the mass media age. the vision here is so beautifully articulated that the superb musicianship and production wizardry is easily overlooked. paradoxically, horn and downes employed electronic devices (which were considered new and cutting edge in the late seventies) to create an album which, at times, spoke eloquently about their drawbacks. with the age of plastic, horn and downes stamped an indelible image in the collective pop psyche. what is equally impressive is the sound of this disc given its analog origins and 1980-release date. while hiss can be heard in some of the quieter passages, it would be difficult to find a record from this era that sounds half as good. pop rarely reaches these heights. add new comment mazzy star "so tonight that i might see" posted october 3rd, 2013 by kevster in 1993 adult alternative dreamy pop/rock thanks to the fluke hit "fade into you" -- one of the better beneficiaries of alt-rock's radio prominence in the early '90s, a gentle descent of a lead melody accompanied by piano, a steady beat, and above all else, hope sandoval's lovely lead vocal -- mazzy star's second album became something of a commercial success. all without changing much at all from where the band was before -- david roback oversaw all the production, the core emphasis remained a nexus point between country, folk, psych, and classic rock all shrouded in mystery, and sandoval's trademark drowsy drawl remained swathed in echo. if there's a left-field standout, then unquestionably it's "five string serenade" (featured here). a cover of an arthur lee song -- for once not a love-era number, but a then-recent effort -- roback's delicate acoustic guitar effortlessly brings out its simple beauty. tambourine and violin add just enough to the arrangement here and there, and sandoval's calm singing makes for the icing on the cake. add new comment santigold "master of my make-believe" posted october 3rd, 2013 by kevster in 2012 alternative dance electronic frontwoman santi white has taken on the face of santigold for master of my make-believe, as depicted in the album's artwork, which finds her portraying all four characters (even the mustached man that sits front and center). john hill continues to co-write, but with white gaining pop star status, he takes the back seat, as they enlist the help of a-list producers diplo, switch, boyz noise, buraka som sistema, tv on the radio's dave sitek, ricky blaze, and q-tip. multi-instrumentalist greg kurstin (beck, flaming lips) and the yeah yeah yeahs also make a huge impact on the sound of the record, with karen o contributing vocals on the leadoff "go!" and nick zinner scattering delicious guitar texture across the tracks. when not dabbling in reggae (like on the beastie boys album cameo "don't play no game that i can't win"), white -- whose favourite band is appropriately the smiths -- continues to be masterful at appropriating sparkling '80s arrangements, as seen in "the keepers," (featured here), a slick song that swipes a melody line from "little red corvette" and incorporates a theme once explored by talking heads ("while we sleep, our house is burning down"). while that's no guarantee that the sophomore outing will be as huge a hit as santigold's breakout, at least it's proof positive that santi white is settling in for a long ride. add new comment lisa hannigan "sea sew" posted october 3rd, 2013 by kevster in 2008 alternative folk indie singer-songwriter debut album from rising young irish singer/songwriter probably best known to british audiences for her vocal performances on records by her fellow countryman damien rice. hannigan's quirky, literate, acoustic folk-pop, rich with the backing of strings, brass, and glockenspiel, is more upbeat than rice's, and is comparable to the work of kathryn williams and juliet turner. "lille" (featured here), was the first single from the album, and has you floating away on a sea of loveliness. add new comment kraftwerk "trans-europa express" (digital remaster) posted september 27th, 2013 by kevster in 1977 avant-garde electronic experimental kraut rock although autobahn was a left-field masterpiece, trans-europe express is often cited as perhaps the archetypal (and most accessible) kraftwerk album. melodic themes are repeated often and occasionally interwoven over deliberate, chugging beats, sometimes with manipulated vocals; the effect is mechanical yet hypnotic. the song "trans-europe express" (featured here) is similar in concept to "autobahn," as it mimics the swaying motion and insistent drive of a cross-continent train trip. overall, trans-europe express offers the best ble

URL analysis for undertheinfluence.me.uk


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Whois Information


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Domain name:
undertheinfluence.me.uk

Data validation:
Nominet was able to match the registrant's name and address against a 3rd party data source on 10-Dec-2012

Registrar:
123-Reg Limited t/a 123-reg [Tag = 123-REG]
URL: http://www.123-reg.co.uk

Relevant dates:
Registered on: 28-Dec-2006
Expiry date: 28-Dec-2018
Last updated: 21-Dec-2016

Registration status:
Registered until expiry date.

Name servers:
ns.123-reg.co.uk 212.67.202.2
ns2.123-reg.co.uk 62.138.132.21

WHOIS lookup made at 02:49:35 10-Dec-2018

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SERVERS

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  ARGS undertheinfluence.me.uk

  PORT 43

  TYPE domain

DOMAIN

SPONSOR
123-Reg Limited t/a 123-reg [Tag = 123-REG]
URL: http://www.123-reg.co.uk
Relevant dates:

  CREATED 28-Dec-2006

  CHANGED 21-Dec-2016

STATUS
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NSERVER

  NS.123-REG.CO.UK 212.67.202.2

  NS2.123-REG.CO.UK 62.138.132.21

  NAME undertheinfluence.me.uk

DISCLAIMER
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